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From Publishers Weekly

Novelist Freeman (Red Water) turns her obsession with Chandler and his beautiful wife, Cissy, into a kind of voyeuristic exploration of their unusual but symbiotic marriage. The creator of Philip Marlowe and author of such classics as The Long Goodbye and Farewell, My Lovely, remains an enigma and his much older wife (she lied to him about her age) is even more of a cipher. Freeman describes researching Chandler archives at both UCLA and the Bodleian Library in Oxford, and her pilgrimages to the extraordinary number of homes and apartments (more than 30) where the peripatetic Chandlers lived in California. She also consulted printed resources and interviewed some who knew the Chandlers late in their lives. She effectively uses passages from Chandler's fiction and letters to illustrate his battles with alcoholism, boredom, manuscripts and screenplays. Less effective are the many passages where Freeman tries to read too much from scanty clues (for instance, trying to guess which woman in a photograph is the one Chandler had an affair with). The result is an uneven account, part author's journal, part biography, of an unusual couple whose marriage survived against all odds and may have been the key factor that allowed Chandler to create his tarnished knight, Marlowe. Photos. (Nov. 6)

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Review

“Part biography, part detective story, part love story, and part séance, The Long Embrace takes us on Judith Freeman’s journey to discover the private Raymond Chandler through the lens of his marriage to a woman eighteen years older than himself, a woman he adored and yet whose every scrap of correspondence he destroyed following her death. Lively, quirky, revealing of both author and subject, this is a welcome addition to any Chandler addict’s library.”

–Janet Fitch, author of White Oleander



“This elegant, stirring book plumbs a great mystery, one hidden, from even Chandler’s many devoted readers, in plain sight. Freeman’s book is a meditation on marriage, a persuasive biographical and literary study, and, best of all, one of those rare books, like Nicholson Baker’s U and I or Geoff Dyer’s Out of Sheer Rage, where one writer’s study of another takes the form of a confessional fugue on the writing act itself.”

–Jonathan Lethem, author of The Fortress of Solitude